"Delibes: Lakmé, Act 2: "Lakmé ! Lakmé ! C'est toi !" (Gérald, Lakmé)" by Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Charles Burles, Orchestre du Theatre National de IOpera-Comique was released on April 4, 1971. The duration of Delibes: Lakmé, Act 2: "Lakmé ! Lakmé ! C'est toi !" (Gérald, Lakmé) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Delibes: Lakmé, Act 2: "Lakmé ! Lakmé ! C'est toi !" (Gérald, Lakmé)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 39 out of 58 in Delibes: Lakmé by Léo Delibes, Mady Mesple, Charles Burles, Orchestre du Théâtre national de l'Opéra-Comique, Alain Lombard. The popularity of Delibes: Lakmé, Act 2: "Lakmé ! Lakmé ! C'est toi !" (Gérald, Lakmé) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Delibes: Lakmé, Act 2: "Lakmé ! Lakmé ! C'est toi !" (Gérald, Lakmé) by Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Charles Burles, Orchestre du Theatre National de IOpera-Comique is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Chanson de matin | Edward Elgar, Britten Sinfonia, Nicholas Cleobury | G Major | 2 | 9B | 171 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Prelude In C Minor, BWV 999 : Prelude In C Minor, BWV 999 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 120 BPM | ||
La fille mal gardée (Rev. Lanchbery), Act I: No. 17a, Clog Dance | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 1 | 6A | 130 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM |
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