"Il lamento di tristano La Rotta" by Anonyme, Musica Antiqua, Christian Mendoze was released on May 15, 1991. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Musica Antiqua, Loindhana, André Isoir, Pierre Bardon, Christian Mendoze's "Joyaux de la musique ancienne" album is number 7 out of 27. On top of that, France appears to be the country where this track was created. Based on our statistics, Il lamento di tristano La Rotta's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il lamento di tristano La Rotta by Anonyme, Musica Antiqua, Christian Mendoze to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veni, Veni Emmanuel | John Shaw | G Major | 1 | 9B | 68 BPM | ||
Stichera Prosomoia at the Praises (Plagal Fourth Mode) | TROPOS Byzantine Choir, Constantinos Ath. Angelidis | G Major | 2 | 9B | 69 BPM | ||
Chapter 1.26 - Évangile selon Saint Marc | Anonyme | G Minor | 1 | 6A | 73 BPM | ||
Hymn to the Cherubim | Dimitri Tchesnokov, The Russian Patriarchate Choir, Anatoly Grindenko | G Minor | 2 | 6A | 75 BPM | ||
Ungaresca | Anonyme, Ensemble Anonymus | C Major | 4 | 8B | 118 BPM | ||
Foni Kyriou epi ton ydaton | Fr. Nikodimos Kabarnos | D Major | 2 | 10B | 168 BPM | ||
Chapter 1.23 - Évangile selon Saint Marc | Anonyme | G Minor | 1 | 6A | 73 BPM | ||
St΄ Odi Tou Deyterou Kanonos Tou Orthrou Agiou Paisiou Tou Agioreitou Ixos Plagios, D Trifonos, Pt. 2 | Petros Gaitanos | F♯ Major | 3 | 2B | 71 BPM | ||
Evlogimeni i Vasilia, Irinika | Choir of Vatopedi Fathers | A Minor | 6 | 8A | 100 BPM | ||
Meet It Is, mode 5 | Sofia Priest Choir & Kiril Popov | D♭ Minor | 2 | 12A | 86 BPM |
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