Simon Zwiers, Hespèrion XX made "Gesproken tekst 18: "Brief van Erasmus van Rotterdam aan de Franse koning Frans I" (16 juni 1526) / Muziek: Pavane 14 (Uitgegeven door Jacques Moderne in “Musique de Joie” Lyon, ca. 1540)" available on 2012. With Gesproken tekst 18: "Brief van Erasmus van Rotterdam aan de Franse koning Frans I" (16 juni 1526) / Muziek: Pavane 14 (Uitgegeven door Jacques Moderne in “Musique de Joie” Lyon, ca. 1540) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. In terms of popularity, Gesproken tekst 18: "Brief van Erasmus van Rotterdam aan de Franse koning Frans I" (16 juni 1526) / Muziek: Pavane 14 (Uitgegeven door Jacques Moderne in “Musique de Joie” Lyon, ca. 1540) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gesproken tekst 18: "Brief van Erasmus van Rotterdam aan de Franse koning Frans I" (16 juni 1526) / Muziek: Pavane 14 (Uitgegeven door Jacques Moderne in “Musique de Joie” Lyon, ca. 1540) by Simon Zwiers, Hespèrion XX is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chapter 15.2 - De Hongerspelen | Suzanne Collins | F♯ Major | 3 | 2B | 82 BPM | ||
Hoofdstuk 62 - Abeltje | Annie MG Schmidt, Flip van Duijn | D♭ Minor | 2 | 12A | 117 BPM | ||
Negers | Han Solo | F Minor | 5 | 4A | 79 BPM | ||
Ik Wou... | Leuster | D Major | 3 | 10B | 140 BPM | ||
Hoofdstuk 85 - De Toscaanse erfenis | Saskia Roorda, Lia Schipper | E♭ Minor | 1 | 2A | 85 BPM | ||
Nieuwjaarsduik | Wilko Terwijn | A♭ Major | 6 | 4B | 78 BPM | ||
Hoofdstuk 83 - Abeltje | Annie MG Schmidt, Flip van Duijn | A♭ Major | 3 | 4B | 110 BPM | ||
Fretten | Lukas Lelie | D♭ Major | 8 | 3B | 80 BPM | ||
De Wezel en de Chihuahua | Henry van Loon | F♯ Minor | 6 | 11A | 88 BPM | ||
Hoofdstuk 113 - De Toscaanse erfenis | Saskia Roorda, Lia Schipper | E♭ Major | 1 | 5B | 102 BPM |
Section: 0.5232946872711182
End: 0.5367836952209473