Robert Johnson, Frances Kelly, Elizabeth Kenny, Theatre of Early Music's 'The second witches dance' came out on January 1, 2005. With The second witches dance being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Theatre Of Early Music: Love Bade Me Welcome - Songs and Poetry From the Renaissance". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Sweden. In terms of popularity, The second witches dance is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The second witches dance by Robert Johnson, Frances Kelly, Elizabeth Kenny, Theatre of Early Music having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recercada No. 1 | Diego Ortiz, Munir Beken, August Denhard | C Major | 2 | 8B | 141 BPM | ||
Ricercar terzo | Melchior Neusidler, Paul O'Dette | G Minor | 0 | 6A | 146 BPM | ||
Deux pièces en fa majeur: II. Ciacconna (II: 77-80) | Silvius Leopold Weiss, Bernhard Hofstötter, Dolores Costoyas | D♭ Minor | 1 | 12A | 90 BPM | ||
Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 1 | 11A | 94 BPM | ||
Orchésographie: Pavane 'Belle qui tiens ma vie' (Gaillarde) 'La Traditore my fa morire' (Gaillarde) 'Anthoinette' (Gaillarde) 'J'aymerois mieulx dormir seulette' (La volte) | Thoinot Arbeau, Ensemble Clément Janequin, Dominique Visse | B♭ Major | 1 | 6B | 119 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
En el porta de Santiago ! : Canzon La Benedetta | Andrea Falconieri, Arianna Savall, La Fenice, Jean Tubéry | G Minor | 1 | 6A | 78 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
Have You Seen the Bright Lily Grow? | Robert Johnson, Sjaella | F Major | 0 | 7B | 85 BPM | ||
Two Almaines: Almaine II | Robert Johnson, Stanley Buetens | C Major | 2 | 8B | 77 BPM |
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