"Scheherazade (2002 Digital Remaster): II. The Story of the Kalendar Prince" by Nikolai Rimsky-Korsakov, Royal Philharmonic Orchestra/Rudolf Kempe, Rudolf Kempe, Royal Philharmonic Orchestra was released on August 9, 2010. Scheherazade (2002 Digital Remaster): II. The Story of the Kalendar Prince appears to be safe for all ages as it is not explicit. The track order of this song in Rudolf Kempe's "Icon: Rudolf Kempe" album is number 6 out of 112. Scheherazade (2002 Digital Remaster): II. The Story of the Kalendar Prince is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Scheherazade (2002 Digital Remaster): II. The Story of the Kalendar Prince by Nikolai Rimsky-Korsakov, Royal Philharmonic Orchestra/Rudolf Kempe, Rudolf Kempe, Royal Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
The Snow Maiden / Act 3: "Prigozhi Lyel, uzhel tebye ne zhalko" | Nikolai Rimsky-Korsakov, Sofiya Jankovich, Drago Dimitrievich, Belgrade National Opera Orchestra, Kreshimir Baranovich, Dushan Popovich | B Minor | 1 | 10A | 81 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov): The Tale of Tsar Saltan: Flight of the Bumble-bee (arr. S. Rachmaninov) | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Vladimir Horowitz | A Minor | 1 | 8A | 95 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM |
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