The Bartered Bride, T. 93, Act II: II. Furiant - Bedřich Smetana, Alfred Scholz, Vienna Radio Symphony Orchestra Information

Acousticness: 72%
Danceability: 34%
Energy: 30%
Instrumentalness: 3%
Liveness: 60%
Loudness: 75%
Speechiness: 3%
Valence: 58%
Popularity: 3%
Loudness: -15.12 dB

Summary

Bedřich Smetana, Alfred Scholz, Vienna Radio Symphony Orchestra made "The Bartered Bride, T. 93, Act II: II. Furiant" available on January 18, 2020. The duration of The Bartered Bride, T. 93, Act II: II. Furiant is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. The Bartered Bride, T. 93, Act II: II. Furiant's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Smetana Famous Pieces". In this album, this song's track order is #8. Based on our statistics, The Bartered Bride, T. 93, Act II: II. Furiant's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

The Bartered Bride, T. 93, Act II: II. Furiant BPM

With The Bartered Bride, T. 93, Act II: II. Furiant by Bedřich Smetana, Alfred Scholz, Vienna Radio Symphony Orchestra having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

The Bartered Bride, T. 93, Act II: II. Furiant Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Etude Op. 25 no. 9 in G Flat Major	Valentina Lisitsa	F♯ Major	2	2B	111 BPM
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione	Muzio Clementi, Balazs Szokolay	B♭ Major	1	6B	132 BPM
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov)	Felix Mendelssohn, Bertrand Chamayou	C Minor	2	5A	129 BPM
Suite in B-Flat Major, HWV 434: IV. Menuet	George Frideric Handel, Khatia Buniatishvili	G Minor	0	6A	59 BPM
Gaspard de la nuit, M. 55: III. Scarbo	Maurice Ravel, Ivo Pogorelich	B♭ Major	2	6B	67 BPM
13 Pieces, Op. 76: No. 2. Etude	Jean Sibelius, Olli Mustonen	G Major	1	9B	92 BPM
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto	Bedřich Smetana, Jitka Čechová	A♭ Minor	0	1A	173 BPM
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato	Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs	D Minor	1	7A	112 BPM
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen	Franz Liszt, Mariam Batsashvili	A Minor	1	8A	120 BPM
Nocturne No. 6 in G Minor, Op. 15 No. 3	Frédéric Chopin, Daniel Barenboim	D Minor	0	7A	132 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6902859210968018

End: 0.6943511962890625