"The Swans: Valse Mélancolique No. 7 in F-Sharp Minor" by Danaë Xanthe Vlasse was released on November 10, 2013. The duration of The Swans: Valse Mélancolique No. 7 in F-Sharp Minor is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. The Swans: Valse Mélancolique No. 7 in F-Sharp Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Stephan Beneking: The Swans, 12 Valses Mélancoliques". In this album, this song's track order is #7. In terms of popularity, The Swans: Valse Mélancolique No. 7 in F-Sharp Minor is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Swans: Valse Mélancolique No. 7 in F-Sharp Minor by Danaë Xanthe Vlasse having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Preludes, Op. 23: No. 5 in G Minor, Alla marcia | Sergei Rachmaninoff, Emre Yavuz | G Minor | 2 | 6A | 130 BPM | ||
ADAGIO ~Piano Concerto no.2~ - 4/4 8×4 | Shino Takizawa | D♭ Major | 2 | 3B | 81 BPM | ||
アダージオ_1 「マイヤリング」第3幕よりマリーとルドルフのパ・ド・ドゥ 4/4 32 | 滝澤 志野 | A Major | 0 | 11B | 116 BPM | ||
Goosebump | Barnaboy | D♭ Minor | 0 | 12A | 78 BPM | ||
sabro de mi | mantekito loko | G Minor | 1 | 6A | 180 BPM | ||
Pièces froides, Danses de travers: No. 1, En y regardant à deux fois | Erik Satie, Alessandro Simonetto | A Minor | 0 | 8A | 67 BPM | ||
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Rudolf Buchbinder | A♭ Major | 0 | 4B | 65 BPM | ||
Heiland Als Een Herder, Leid Ons | Dennis Alexander, Wilbert Magré | A♭ Major | 0 | 4B | 122 BPM | ||
Energy | Karl Prybyloski | B Major | 1 | 1B | 103 BPM | ||
Petzold: Bach's Menuet in G Major, BWV Anh. 116 | Christian Petzold, Fingal Grünbauer | G Major | 4 | 9B | 149 BPM |
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