Waiting For Tomorrow (feat. Mike Shinoda)
Martin Garrix, Pierce Fulton, Mike Shinoda
The Martin Garrix Experience
4:07 July 10, 2019
BPM
128
Key
F Minor
Camelot
4A

Embed

Share Link

Waiting For Tomorrow (feat. Mike Shinoda) - Martin Garrix, Pierce Fulton, Mike Shinoda Information

Acousticness
1%
Danceability
51%
Energy
89%
Instrumentalness
0%
Liveness
56%
Loudness
93%
Speechiness
14%
Valence
34%
Popularity
Loudness
-4.084 dB

Summary

Martin Garrix, Pierce Fulton, Mike Shinoda's 'Waiting For Tomorrow (feat. Mike Shinoda)' came out on July 10, 2019. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "The Martin Garrix Experience". In this album, this song's track order is #8. Based on our statistics, Waiting For Tomorrow (feat. Mike Shinoda)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Waiting For Tomorrow (feat. Mike Shinoda) BPM

With Waiting For Tomorrow (feat. Mike Shinoda) by Martin Garrix, Pierce Fulton, Mike Shinoda having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Waiting For Tomorrow (feat. Mike Shinoda) Key

This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
When We Were Young by Lost Kings, Norma Jean MartineWhen We Were YoungLost Kings, Norma Jean MartineA♭ Major84B130 BPM
Drown the Sky by William Black, RØRYDrown the SkyWilliam Black, RØRYF Major77B145 BPM
Breathe 2.0 by VincentBreathe 2.0VincentA♭ Minor91A132 BPM
forever free (feat. Duskus) by San Holo, Duskusforever free (feat. Duskus)San Holo, DuskusF Major67B70 BPM
No Tears Left To Cry by Anevo, Bryana SalazNo Tears Left To CryAnevo, Bryana SalazD Minor87A80 BPM
Disarm You (feat. Ilsey) by Kaskade, IlseyDisarm You (feat. Ilsey)Kaskade, IlseyF Minor84A128 BPM
TIME by AlessoTIMEAlessoG Major99B124 BPM
Close by ConroCloseConroD Major810B150 BPM
Supersonic (feat. Christian Burns) by Swanky Tunes, Christian BurnsSupersonic (feat. Christian Burns)Swanky Tunes, Christian BurnsC Minor95A128 BPM
Air by Taylr Renee, Hellberg, TeqqAirTaylr Renee, Hellberg, TeqqC Minor85A126 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6089527606964111

End: 0.6125435829162598