PLIÉ ~Adagietto~ - 4/4 8×8+8 - Shino Takizawa Information

Acousticness
94%
Danceability
56%
Energy
30%
Instrumentalness
90%
Liveness
18%
Loudness
70%
Speechiness
3%
Valence
76%
Popularity
Loudness
-17.874 dB

Summary

Shino Takizawa's ' "PLIÉ ~Adagietto~ - 4/4 8×8+8" was released on its scheduled release date, March 25, 2018. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. PLIÉ ~Adagietto~ - 4/4 8×8+8's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 39 in Dramatic Music for Ballet Class 2 by Shino Takizawa. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. PLIÉ ~Adagietto~ - 4/4 8×8+8 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

PLIÉ ~Adagietto~ - 4/4 8×8+8 BPM

The tempo marking of PLIÉ ~Adagietto~ - 4/4 8×8+8 by Shino Takizawa is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

PLIÉ ~Adagietto~ - 4/4 8×8+8 Key

This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Battement Tendu Center 2/4 [64 Measures] by Tatyana GrigoryantsBattement Tendu Center 2/4 [64 Measures]Tatyana GrigoryantsF Major37B74 BPM
ADAGIO 2 / FONDU ~Die Fledermaus Act 2 Pas de deux~ - 3/4 8×4 by Shino TakizawaADAGIO 2 / FONDU ~Die Fledermaus Act 2 Pas de deux~ - 3/4 8×4Shino TakizawaD♭ Major23B81 BPM
タンデュ1 ~「テーマとヴァリエーション」~ - 4/4 8×8 - 管弦楽組曲第3番ト長調より 第4曲 by 滝澤 志野タンデュ1 ~「テーマとヴァリエーション」~ - 4/4 8×8 - 管弦楽組曲第3番ト長調より 第4曲滝澤 志野G Major19B108 BPM
25 Études faciles et progressives, Op. 100: No. 22, Barcarolle by Franz Burgmüller, Carl Petersson25 Études faciles et progressives, Op. 100: No. 22, BarcarolleFranz Burgmüller, Carl PeterssonA♭ Major14B109 BPM
Symphony of Delight by CobbieSymphony of DelightCobbieA♭ Major24B133 BPM
Adveniat XVIIII in A Major by Stephan Beneking, Elizabeth ErinAdveniat XVIIII in A MajorStephan Beneking, Elizabeth ErinD Major210B123 BPM
Barre: Assouplissement jambe sur la barre (Suite Emeraude) by Patrice BernardBarre: Assouplissement jambe sur la barre (Suite Emeraude)Patrice BernardE♭ Major05B95 BPM
TENDU 2 Original - 4/4 8×8 by Shino TakizawaTENDU 2 Original - 4/4 8×8Shino TakizawaD♭ Major23B81 BPM
espera mi musica by culon trabonespera mi musicaculon trabonD Minor07A68 BPM
Plies (with Repeat) by Miro Magloire, Wilhelm BurmannPlies (with Repeat)Miro Magloire, Wilhelm BurmannC Major08B85 BPM
ISRC
TCJPO2159752
Label
L-M Records/RCA Records