Michel Legrand And His Orchestra's 'Theme From: The Go-Between - from the motion picture "The Go-Between"' came out on January 1, 1972. The duration of Theme From: The Go-Between - from the motion picture "The Go-Between" is about 3 minutes long, at 3:25. Based on our data, "Theme From: The Go-Between - from the motion picture "The Go-Between"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 12 in Brian's Song: Themes & Variations by Michel Legrand And His Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Theme From: The Go-Between - from the motion picture "The Go-Between" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Theme From: The Go-Between - from the motion picture "The Go-Between" by Michel Legrand And His Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theme 504 | Jean-Claude Vannier | A Minor | 3 | 8A | 100 BPM | ||
École buissonnière - From "Les 400 coups" | Jean Constantin | A Minor | 4 | 8A | 126 BPM | ||
Trinité Et Finale | Jean Constantin | B Minor | 2 | 10A | 170 BPM | ||
Prelude #4 in G, OP 28 | Jack Nitzsche | A Minor | 1 | 8A | 146 BPM | ||
Générique début - Version alternative | Pierre Bachelet | F Major | 2 | 7B | 128 BPM | ||
Vecchie strade | Piero Umiliani | F♯ Major | 6 | 2B | 102 BPM | ||
Nel cimitero di Tucson - Version 2 | Gianfranco & Gianpiero Reverberi | B♭ Minor | 3 | 3A | 113 BPM | ||
The Green Ray | Molly Lewis | A Minor | 4 | 8A | 77 BPM | ||
Adieu l'ami (From "Adieu l'ami") | François de Roubaix | B♭ Major | 5 | 6B | 122 BPM | ||
Devant toi | Andrea Laszlo De Simone | A♭ Major | 6 | 4B | 90 BPM |
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