Tadeusz Baird, Jakub Józef Orliński, Michał Biel made "Baird: 4 Love Sonnets: No. 2, Drwię, mając ciebie, z całej ludzkiej pychy" available on May 6, 2022. The duration of Baird: 4 Love Sonnets: No. 2, Drwię, mając ciebie, z całej ludzkiej pychy is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Baird: 4 Love Sonnets: No. 2, Drwię, mając ciebie, z całej ludzkiej pychy's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 26 in Farewells by Jakub Józef Orliński. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Baird: 4 Love Sonnets: No. 2, Drwię, mając ciebie, z całej ludzkiej pychy is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Baird: 4 Love Sonnets: No. 2, Drwię, mając ciebie, z całej ludzkiej pychy by Tadeusz Baird, Jakub Józef Orliński, Michał Biel is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Stabat Mater, RV 621: VI. Pro peccattis suae gentis | Antonio Vivaldi, Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus | E Minor | 6 | 9A | 104 BPM | ||
Poulenc: Banalités, FP 107: No. 2, Hôtel | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | D Major | 0 | 10B | 166 BPM | ||
Deux romances, L. 79: No. 2, Les cloches | Dilyana Georgieva, Galina Apostolova | D♭ Minor | 2 | 12A | 87 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Labsente | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 78 BPM | ||
Bella porta di rubini | Andrea Falconieri, Elisabetta Pallucchi, Filippo Farinelli | F Major | 1 | 7B | 118 BPM | ||
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
Fauré: 3 Songs, Op. 23: No. 1, Les berceaux | Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud | C Minor | 0 | 5A | 81 BPM | ||
Concert pour piano, violon et quatuor à cordes en Ré Majeur, Op. 21: II. Sicilienne | Ernest Chausson, Gabriel Le Magadure, Frank Braley, Quatuor Agate | F Major | 2 | 7B | 103 BPM | ||
L'incoronazione di Poppea, SV 308: Pur ti miro - Arr. for Voice & Piano | Claudio Monteverdi, Théophile Alexandre, Guillaume Vincent, Chantal Santon Jeffery | G Major | 2 | 9B | 69 BPM |
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