Like Moths To Flames made "Views From Halfway Down" available on November 5, 2021. Views From Halfway Down is explicit and may not be suitable for children. With the duration being about 3:48, this song is close to the average duration of a typical track. There are a total of 5 in the song's album "Pure Like Porcelain". In this album, this song's track order is #2. In terms of popularity, Views From Halfway Down is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Views From Halfway Down by Like Moths To Flames having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blood Brothers | Oceans Ate Alaska | F♯ Minor | 10 | 11A | 145 BPM | ||
Collider | Silent Planet | F♯ Minor | 10 | 11A | 172 BPM | ||
Vultures with Clipped Wings | We Came As Romans | F♯ Major | 9 | 2B | 145 BPM | ||
Escapist | Oceans Ate Alaska | G Major | 8 | 9B | 116 BPM | ||
Violent Stimuli | Dealer | D♭ Major | 10 | 3B | 101 BPM | ||
Fighting Fire With Fire | Like Moths To Flames | F♯ Major | 10 | 2B | 120 BPM | ||
Drowning | Lost in Separation | A Minor | 9 | 8A | 146 BPM | ||
Paradigm | Oceans Ate Alaska | B♭ Minor | 10 | 3A | 90 BPM | ||
Wrath | Bury Tomorrow | B♭ Major | 10 | 6B | 101 BPM | ||
A Smile That Does Not Exist | Miss May I | E♭ Major | 9 | 5B | 145 BPM |
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