"I was Looking at the Ceiling and Then I Saw the Sky: Act I: Leila's Solo: Alone (Again or at last) (Lelila)" by John Adams, Martina Mühlpointner, Kimako Xavier Trotman, Markus Alexander Neisser, Jeannette Friedrich, Darius de Haas, Lilith Gardell, Jonas Holst, Holst Sinfonietta, Klaus Simon had its release date on October 18, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 24 in Adams: I Was Looking at the Ceiling and Then I Saw the Sky by John Adams, Klaus Simon. Based on our statistics, I was Looking at the Ceiling and Then I Saw the Sky: Act I: Leila's Solo: Alone (Again or at last) (Lelila)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I was Looking at the Ceiling and Then I Saw the Sky: Act I: Leila's Solo: Alone (Again or at last) (Lelila) by John Adams, Martina Mühlpointner, Kimako Xavier Trotman, Markus Alexander Neisser, Jeannette Friedrich, Darius de Haas, Lilith Gardell, Jonas Holst, Holst Sinfonietta, Klaus Simon is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
The Planets, Op. 32: 2. Venus, The Bringer Of Peace | Gustav Holst, Chicago Symphony Orchestra, James Levine | A♭ Major | 0 | 4B | 71 BPM | ||
Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | C Major | 0 | 8B | 71 BPM | ||
11 Pezzi infantili, Op. 35: VI. Siciliana | Alfredo Casella, Luca Ballerini | A Minor | 0 | 8A | 107 BPM | ||
Ravel: String Quartet, M. 35: II. Assez vif - Très rythmé | Maurice Ravel, Quatuor Ébène | F Major | 0 | 7B | 144 BPM | ||
Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | ||
Dream Colored Mobile II, Op. 58a | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, Joe Houghton, Kate Wilson | B♭ Major | 0 | 6B | 121 BPM | ||
6 Stucke, Op. 32: 6 Pieces, Op. 32: No. 3. Rustle of Spring | Christian Sinding, Christian Ihle Hadland | F Minor | 1 | 4A | 76 BPM | ||
Blueprint | Caroline Shaw, Attacca Quartet | D Minor | 1 | 7A | 64 BPM | ||
Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM |