"Auf den Herrn vertrauen" by Michael Aschauer, Vienna Chamber Choir, Michael Grohotolsky was released on 2014. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "O crux. Chormusik zur Passions- und Osterzeit aus fünf Jahrhunderten. Five centuries of choral music for Holy Week and Eastertide". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Austria. Auf den Herrn vertrauen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Auf den Herrn vertrauen by Michael Aschauer, Vienna Chamber Choir, Michael Grohotolsky having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro defunctis: VII. Communion | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Night Seasons: III. Sanctus | Rebecca Dale, Guy Johnston, Tenebrae, Philharmonia Orchestra, Nigel Short, Richard McVeigh | B♭ Major | 1 | 6B | 67 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Altera, Christopher Lowrey | C Minor | 0 | 5A | 70 BPM | ||
Flowers | Caroline Charrière, Schweizer Jugendchor, Nicolas Fink | A Minor | 1 | 8A | 96 BPM | ||
Il Bianco e Dolce Cigno | The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield | E♭ Major | 1 | 5B | 131 BPM | ||
Six Moravian Choruses: V. The Wild Rose | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | A♭ Major | 1 | 4B | 137 BPM | ||
Three Shakespeare Songs: No. 2, Under the Greenwood Tree | Clive Osgood, Sofia Vokalensemble, Bengt Ollen | D Major | 2 | 10B | 70 BPM | ||
Te Deum: IX. Per singulos dies | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Guerrero: Conceptio tua | A5 Vocal Ensemble, Francisco Guerrero | G Major | 0 | 9B | 137 BPM | ||
Aesop's Fables: No. 3. The Fox and the Grapes | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | F Major | 0 | 7B | 65 BPM |
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