"Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 10, An Belinden" by Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf was released on January 1, 2016. With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 10, An Belinden being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Reichardt: Ausgewählte Lieder". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 10, An Belinden is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 10, An Belinden by Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: II. Graduale | Luigi Cherubini, Francis Bardot, Maîtrise des Hauts-de-Seine, Ensemble National Français, Odile Perceau | G Minor | 3 | 6A | 123 BPM | ||
Im Walde | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A♭ Major | 1 | 4B | 65 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Chorus: Beau chevalier va chercher une amie (Handsome knight, find yourself a lady friend) (Page) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Humperdinck : Hänsel und Gretel : Overture to Act 1 | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 92 BPM | ||
Se lontan ben mio, K. 438 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker | E♭ Major | 1 | 5B | 77 BPM | ||
Morike-Chorliederbuch, Op. 19: Der Feuerreiter | Hugo Distler, Berlin Vocal Ensemble, Bernd Stegmann | D Major | 0 | 10B | 81 BPM | ||
Ein deutsches Requiem, Op. 45: Selig sind, die da Leid tragen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM | ||
Erwin und Elmire: Act II: Finale: Es ist nicht weit! (Elmire, Rosa, Erwin) | Johann Friedrich Reichardt, Simone Kermes, Johanna Stojkovic, Jörg Dürmüller, Michael Kupfer, Cappella Coloniensis, Andreas Spering | E Minor | 3 | 9A | 96 BPM | ||
25 Études faciles et progressives, Op. 100: No. 5, Innocence | Franz Burgmüller, The Gerst Ensemble | F Major | 0 | 7B | 84 BPM | ||
25 Scottish Songs, Op. 108: No. 20, Faithfu' Johnie | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM |
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