"Süßer die Glocken nie klingen, als in der Weihnachtszeit" by Thomanerchor Leipzig, Hans-Joachim Rotzsch was released on February 21, 2014. With Süßer die Glocken nie klingen, als in der Weihnachtszeit being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weihnachten mit dem Thomanerchor by Thomanerchor Leipzig, Hans-Joachim Rotzsch. The song's track number on the album is #10 out of 30 tracks. Based on our data, Germany was the country where this track was produced or recorded. Süßer die Glocken nie klingen, als in der Weihnachtszeit is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Süßer die Glocken nie klingen, als in der Weihnachtszeit by Thomanerchor Leipzig, Hans-Joachim Rotzsch has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Süßer die Glocken nie klingen, als in der Weihnachtszeit being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe Solennelle, Op. 16 - Kyrie | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | D♭ Minor | 2 | 12A | 70 BPM | ||
Requiem: IX. Requiem | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | F Minor | 2 | 4A | 110 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Die Schopfung (The Creation), Hob.XXI:2: Part I, No.13: Die Himmel erzahlen die Ehre Gottes (The heavens are telling the glory of God) (Gabriel, Uriel, Raphael, Chorus) | Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Max Ciolek, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering | C Major | 3 | 8B | 120 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Concerto Saint Marc: IV. Allegro | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | B♭ Major | 3 | 6B | 119 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: II. Motette "Herr, wenn ich nur Dich habe" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | A Minor | 1 | 8A | 62 BPM | ||
Stabat Mater (Hob. XXbis) 1767: II. O quam tristis et afflicta | Joseph Haydn, Catherine Robbin, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 73 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No. 44 Choral: "Befiehl du deine Wege" | Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly | D Major | 0 | 10B | 139 BPM |
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