Heinrich Ignaz Franz von Biber, Roseanne Hunt, Linda Kent, Elizabeth Wallfisch made "Rosary Sonatas: No. 3 in B Minor ‘Nativitas Domini’, C 92: 3. Adagio" available on 2008. With Rosary Sonatas: No. 3 in B Minor ‘Nativitas Domini’, C 92: 3. Adagio being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 25 in Biber: Rosary Sonatas by Heinrich Ignaz Franz von Biber, Rosanne Hunt, Linda Kent, Elizabeth Wallfisch. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Rosary Sonatas: No. 3 in B Minor ‘Nativitas Domini’, C 92: 3. Adagio is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Rosary Sonatas: No. 3 in B Minor ‘Nativitas Domini’, C 92: 3. Adagio by Heinrich Ignaz Franz von Biber, Roseanne Hunt, Linda Kent, Elizabeth Wallfisch is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in A Minor: III. Courante La Mignonne | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 131 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Suite de pièces de clavecin en ré mineur: Canaries | Dom André Laberge | A♭ Minor | 4 | 1A | 112 BPM | ||
Telemann: Concerto for Four Violins in G Major, TWV 40:201: II. Allegro | Georg Philipp Telemann, Nikolaus Harnoncourt, Alice Harnoncourt, Kurt Theiner, Peter Schoberwalter, Walter Pfeiffer, Concentus Musicus Wien | F♯ Major | 1 | 2B | 104 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Ciaccona in A Major | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Major | 1 | 4B | 135 BPM | ||
Sonata in D Major, Op. 6, No. 7: I. Grave Adagio | Tomaso Albinoni, Ensemble Barocco Sans Souci | G Minor | 2 | 6A | 134 BPM |
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