Gabriel Tacchino, Aldo Ciccolini made "Trois Morceaux en forme de poire (1903): II: Prolongation du même (Au pas)" available on July 30, 2013. With Trois Morceaux en forme de poire (1903): II: Prolongation du même (Au pas) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 212 in the song's album "Satie: Piano Works". In this album, this song's track order is #12. The popularity of Trois Morceaux en forme de poire (1903): II: Prolongation du même (Au pas) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Trois Morceaux en forme de poire (1903): II: Prolongation du même (Au pas) by Gabriel Tacchino, Aldo Ciccolini having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Ma mère l'Oye, M. 60 - For Piano Duet: 2. Petit Poucet | Maurice Ravel, Jacques Février, Gabriel Tacchino | B Minor | 2 | 10A | 59 BPM | ||
Piano Concerto No. 1 in D Major, Op. 17: I. Andante - Allegro assai | Camille Saint-Saëns, Gabriel Tacchino, Luxembourg Radio Orchestra, Louis de Froment | F Major | 0 | 7B | 109 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
5 Anniversaries: No. 5, For Susanna Kyle | Leonard Bernstein, Warren Lee | C Major | 0 | 8B | 98 BPM | ||
Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 14. Poem | Zdeněk Fibich, Balazs Szokolay | D♭ Major | 0 | 3B | 133 BPM | ||
Poulenc: 3 Mouvements perpétuels, FP 14: II. Très modéré | Francis Poulenc, Gabriel Tacchino | F Major | 1 | 7B | 142 BPM | ||
La plus que lente: Valse pour piano | Maurice Ravel, Gabriel Tacchino | F♯ Major | 0 | 2B | 135 BPM | ||
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM |
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