"The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 13 - Valse des fleurs (Act II)" by London Symphony Orchestra, André Previn was released on 1987. Since The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 13 - Valse des fleurs (Act II) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "Tchaikovsky: The Nutcracker, Sleeping Beauty & Swan Lake (Highlights)". In this album, this song's track order is #21. The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 13 - Valse des fleurs (Act II) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 13 - Valse des fleurs (Act II) by London Symphony Orchestra, André Previn having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | G Minor | 2 | 6A | 136 BPM | ||
La Campanella | Franz Liszt | A♭ Minor | 3 | 1A | 124 BPM | ||
Symphony No. 2 in C Minor "Resurrection": V. Finale. In Tempo des Scherzos | Gustav Mahler, Bradley Cooper, Rosa Feola, Isabel Leonard, London Symphony Chorus, London Symphony Orchestra, Yannick Nézet-Séguin | E♭ Major | 4 | 5B | 136 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
The Valkyrie, WWV 86B, Pt. 3: The Ride of the Valkyries | Richard Wagner, Royal Philharmonic Orchestra, Philip Ellis | E♭ Minor | 1 | 2A | 100 BPM | ||
The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 78 BPM | ||
In Noctem | Nicholas Hooper | C Minor | 1 | 5A | 64 BPM | ||
Vivaldi: Violin Concerto in F Minor, RV 297 "L'inverno" (No. 4 from "Il cimento dell'armonia e dell'inventione", Op. 8): III. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | F Minor | 2 | 4A | 95 BPM | ||
Carnival of the Animals: XII. Fossils | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | E♭ Major | 3 | 5B | 114 BPM |
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