"Sexton Songs (Version for Voice & Chamber Ensemble): No. 3, Ringing the Bells" by David Conte, Marnie Breckenridge, New Music Ensemble, Nicole Paiement was released on August 17, 2018. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 23 in Everyone Sang: Vocal Music of David Conte by David Conte, Various Artists, Marika Kuzma, Nicole Paiement, Eric Dudley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sexton Songs (Version for Voice & Chamber Ensemble): No. 3, Ringing the Bells is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sexton Songs (Version for Voice & Chamber Ensemble): No. 3, Ringing the Bells by David Conte, Marnie Breckenridge, New Music Ensemble, Nicole Paiement is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
Anonymous / Transcr. Revert: Victimae paschali laudes | Anonymous, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
Evry Stone Crys | Nicolas Fayolle | B♭ Major | 1 | 6B | 95 BPM | ||
We Shall Walk Through The Valley (arr. Undine Smith Moore for Apollo5) | Undine Smith Moore, Apollo5 | C Major | 0 | 8B | 103 BPM | ||
Missa Popularis: V. Agnus Dei | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | B Minor | 1 | 10A | 139 BPM | ||
Even When He Is Silent | The National Lutheran Choir, Kim André Arnesen | C Major | 0 | 8B | 79 BPM | ||
Eos: I. Eos | David Conte, Boston Gay Men's Chorus, Reuben M. Reynolds III, Chad Weirick | D♭ Minor | 0 | 12A | 70 BPM | ||
3 Sacred Hymns: No. 1, Ave Maria | Alfred Momotenko, Latvian Radio Choir, Sigvards Kļava | B Major | 3 | 1B | 96 BPM | ||
The Gift of the Magi: Scene 4: Della, My Della, This is for you (Jim, Della) | David Conte, Aimée Puentes, Tim Krol, San Francisco New Music Ensemble, Nicole Paiement | B♭ Minor | 1 | 3A | 81 BPM | ||
In the Middle | Choral Arts Initiative, Brandon Elliott, Dale Trumbore | B♭ Major | 1 | 6B | 65 BPM |
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