"O Holy Night" by Klaus Florian Vogt, Dresdner Kreuzchor, Cross Bell Orchestra was released on November 27, 2020. With this song being about 5 minutes long, at 4:42, "O Holy Night" by Klaus Florian Vogt, Dresdner Kreuzchor, Cross Bell Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 18 out of 26 in Das große Adventskonzert (Das Studioalbum zum Konzert im Stadion) by Dresdner Kreuzchor. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of O Holy Night is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O Holy Night by Klaus Florian Vogt, Dresdner Kreuzchor, Cross Bell Orchestra is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Magic Flute, K. 620: Dies Bildnis ist bezaubernd schön | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 79 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Schaume, tolles Tanzerblut (Julienne, Lucienne, Victorin, Graf Albert, Fritz, Marietta) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | G Major | 3 | 9B | 131 BPM | ||
Dvorák: Requiem, Op. 89, B. 165: III. Sequentia - Quid sum miser - Live | Antonín Dvořák, Royal Concertgebouw Orchestra, Klaus Florian Vogt, Krassimira Stoyanova, Mihoko Fujimura, Thomas Quasthoff, Mariss Jansons | B♭ Major | 2 | 6B | 83 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | ||
Holberg Suite, Op.40: 2. Sarabande (Andante) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Wagner: Lohengrin, WWV 75, Act 2: "Mein Held, entgegne kühn dem Ungetreuen" (Elsa, Lohengring, King, Chorus, Friedrich, Ortrud) [Live] | Richard Wagner, Royal Concertgebouw Orchestra, Camilla Nylund, Evgeni Nikitin, Falk Struckmann, Katarina Dalayman, Klaus Florian Vogt, Sir Mark Elder | D Major | 1 | 10B | 85 BPM | ||
Das Buch mit sieben Siegeln, Pt. 2: Nach dem Auftun des siebenten der Siegel (Live) | Franz Schmidt, Klaus Florian Vogt, Philharmonisches Staatsorchester Hamburg, Simone Young | G Major | 0 | 9B | 86 BPM | ||
Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" | Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 95 BPM |
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