Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio - Johann Sebastian Bach, Angela Hewitt, Australian Chamber Orchestra, Richard Tognetti Information

Acousticness: 96%
Danceability: 23%
Energy: 3%
Instrumentalness: 80%
Liveness: 11%
Loudness: 55%
Speechiness: 4%
Valence: 4%
Popularity: 3%
Loudness: -26.832 dB

Summary

"Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio" by Johann Sebastian Bach, Angela Hewitt, Australian Chamber Orchestra, Richard Tognetti had its release date on February 1, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 27 in Bach: Keyboard Concertos Nos. 1-7, BWV 1052-8 etc. by Johann Sebastian Bach, Angela Hewitt, Australian Chamber Orchestra, Richard Tognetti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio BPM

The tempo marking of Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio by Johann Sebastian Bach, Angela Hewitt, Australian Chamber Orchestra, Richard Tognetti is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata in E Major, Kk. 20: Presto	Domenico Scarlatti, Ivo Pogorelich	E Major	0	12B	130 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	2	7A	145 BPM
Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: I. Allegro	Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock	A♭ Minor	3	1A	80 BPM
Overture in D Minor, TWV 55:2: Rondeau	Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire	D Minor	1	7A	83 BPM
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga	Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward	F Major	0	7B	104 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924	Janos Sebestyen, Johann Sebastian Bach	C Major	2	8B	139 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts	Jean-Philippe Rameau, Teodor Currentzis	D♭ Major	1	3B	130 BPM
Alcidiane: Ouverture	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	F♯ Minor	1	11A	98 BPM
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra)	Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus	D Major	1	10B	83 BPM
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	C Minor	2	5A	176 BPM

ISRC: GBAJY0530702
Label: L-M Records/RCA Records