"English Dances, Set 1, Op. 27 (Arr M. Johnstone): III. Mesto" by Malcolm Arnold, Maurice Johnstone, Dallas Wind Symphony, Jerry Junkin was released on March 1, 2012. The duration of English Dances, Set 1, Op. 27 (Arr M. Johnstone): III. Mesto is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. English Dances, Set 1, Op. 27 (Arr M. Johnstone): III. Mesto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 22 in Arnold for Band by Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of English Dances, Set 1, Op. 27 (Arr M. Johnstone): III. Mesto is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of English Dances, Set 1, Op. 27 (Arr M. Johnstone): III. Mesto by Malcolm Arnold, Maurice Johnstone, Dallas Wind Symphony, Jerry Junkin is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Divertimento No. 2, Op. 24 / Op. 75: I. Fanfare | Malcolm Arnold, BBC Philharmonic, Rumon Gamba | B♭ Major | 2 | 6B | 157 BPM | ||
Suite bergamasque, L.75 - Orch. Henri Pierre Edouard Mouton: Clair de lune | Claude Debussy, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 77 BPM | ||
The Firebird Suite (1919 Version): Finale - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | ||
España - Rhapsody for Orchestra | Emmanuel Chabrier, London Symphony Orchestra, Ataúlfo Argenta | F Major | 3 | 7B | 122 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM |
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