On February 12, 2021, the song "Goldberg Variations, BWV 988: Variatio 17 a 2 Clav. - Live at Thomaskirche Leipzig / 2020" was released by Johann Sebastian Bach, Lang Lang. The duration of Goldberg Variations, BWV 988: Variatio 17 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Variatio 17 a 2 Clav. - Live at Thomaskirche Leipzig / 2020's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. In terms of popularity, Goldberg Variations, BWV 988: Variatio 17 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Goldberg Variations, BWV 988: Variatio 17 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Suite No. 2 In D minor, BWV 1008 : IV. Sarabande | Pablo Casals | C Major | 2 | 8B | 88 BPM | ||
Musical Characteristics, Op. 19: II. Prelude 2 alla Haydn | Muzio Clementi, Howard Shelley | C Major | 1 | 8B | 88 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 28, Rezitativ. "Und siehe, einer aus denen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Christoph Prégardien, Matthias Goerne, Concentus Musicus Wien | A♭ Major | 0 | 4B | 112 BPM | ||
12 Monferrinas, Op. 49: III. Allegretto con espressione | Muzio Clementi, Howard Shelley | A♭ Major | 0 | 4B | 72 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: II. Adagio | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | D Minor | 0 | 7A | 82 BPM | ||
Suite en La: La Triomphante | Jean-Philippe Rameau, Alexandre Tharaud | E Major | 2 | 12B | 116 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | E Minor | 1 | 9A | 119 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: II. Allegro con freschezza, e deciso | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | D Major | 2 | 10B | 105 BPM | ||
24 Preludes and Fugues, Op. 87: Fugue No. 9 in E Major: Allegro | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM |
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