"El sueño de una noche de verano - Arr. for Piano by Hywel Davies" by Astor Piazzolla, Rachel Attwell-Ramos was released on 2013. The duration of El sueño de una noche de verano - Arr. for Piano by Hywel Davies is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. El sueño de una noche de verano - Arr. for Piano by Hywel Davies's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 50 in Clarinet Exam Pieces 2014 - 2017, ABRSM Grade 5 by John Reynolds, Rachel Attwell-Ramos. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. El sueño de una noche de verano - Arr. for Piano by Hywel Davies is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El sueño de una noche de verano - Arr. for Piano by Hywel Davies by Astor Piazzolla, Rachel Attwell-Ramos is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sous le ciel de Paris | Hubert Yves Giraud, Jean Drejac, Die 12 Cellisten der Berliner Philharmoniker | C Minor | 2 | 5A | 177 BPM | ||
Valse en mi mineur "Dolinda" | René Bartoli, Sylvain Luc, Marylise Florid | E Minor | 0 | 9A | 85 BPM | ||
María de Buenos Aires, Pt. 1: Yo Soy María | Astor Piazzolla, Luciana Mancini, Christopher Sprenger, Lothar Hensel, Mariska van der Sande, Mikhail Ovrutsky, Grigori Alumyan, Róbert Grondžel, Christian Kiefer, Thomas Wise, Bonn Beethoven Orchestra | A Minor | 4 | 8A | 143 BPM | ||
Tango en Skaii | Concordia Chamber Orchestra | A Minor | 8 | 8A | 108 BPM | ||
Black Orpheus: Manha de Carnaval | Luiz Bonfá, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Minor | 1 | 6A | 97 BPM | ||
Tanguera | Mariano Mores | F Minor | 4 | 4A | 127 BPM | ||
Bach, JS / Arr. Braga: Two-Part Inventions: No. 8 in F Major, BWV 779 | Johann Sebastian Bach, Camerata Brasil, Henrique Cazes | F Major | 3 | 7B | 107 BPM | ||
Malena | Aníbal Troilo, Francisco Fiorentino | B Minor | 3 | 10A | 122 BPM | ||
Soledad | Hugo Díaz | B♭ Minor | 3 | 3A | 97 BPM | ||
Ojos Brujos | Leo Brouwer | A Minor | 2 | 8A | 114 BPM |
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