"Rhapsody on a Theme of Paganini, Op. 43: Var. 23" by Sergei Rachmaninoff, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult was released on 1954. With Rhapsody on a Theme of Paganini, Op. 43: Var. 23 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "Rachmaninoff: Rhapsody on a theme of Paganini [1954]; Dohnányi: Variations on a Nursery Song [1954] (Adrian Boult – The Decca Legacy III, Vol. 11)". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rhapsody on a Theme of Paganini, Op. 43: Var. 23 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody on a Theme of Paganini, Op. 43: Var. 23 by Sergei Rachmaninoff, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | ||
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | A♭ Major | 0 | 4B | 92 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Piano Concerto in E, Op. 59: II. Andante | Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern | D♭ Minor | 0 | 12A | 87 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Dolly Suite, Op. 56: III. Le Jardin de Dolly | Gabriel Fauré, Katia Labèque, Marielle Labèque | D♭ Minor | 0 | 12A | 60 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM |
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