Miles Davis made "Chance It (aka Max Is Making Wax) - Live at Pasadena Civic Auditorium, Pasadena, CA - February 1956" available on March 18, 1957. With this song being about 5 minutes long, at 4:33, "Chance It (aka Max Is Making Wax) - Live at Pasadena Civic Auditorium, Pasadena, CA - February 1956" by Miles Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 'Round About Midnight, so we believe that "Chance It (aka Max Is Making Wax) - Live at Pasadena Civic Auditorium, Pasadena, CA - February 1956" is a single. In terms of popularity, Chance It (aka Max Is Making Wax) - Live at Pasadena Civic Auditorium, Pasadena, CA - February 1956 is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Chance It (aka Max Is Making Wax) - Live at Pasadena Civic Auditorium, Pasadena, CA - February 1956 by Miles Davis is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Spot After Dark | Art Farmer & Benny Golson Jazztet | B Minor | 4 | 10A | 101 BPM | ||
The Skunk | Howard McGhee | D♭ Major | 4 | 3B | 167 BPM | ||
With A Song In My Heart - Remastered 1998 | Sonny Clark, John Coltrane | C Minor | 5 | 5A | 77 BPM | ||
Freddie Freeloader (feat. John Coltrane, Cannonball Adderley, Wynton Kelly & Paul Chambers) | Miles Davis, John Coltrane, Cannonball Adderley, Wynton Kelly, Paul Chambers | A♭ Major | 2 | 4B | 128 BPM | ||
A Walkin' Thing | Benny Carter | G Minor | 1 | 6A | 112 BPM | ||
Chelsea Bridge | Billy Strayhorn | A♭ Major | 1 | 4B | 76 BPM | ||
Soshu Yakyoku (Suzhou Serenade) | Toshiko Akiyoshi, Paul Chambers, Ed Thigpen | G Minor | 2 | 6A | 168 BPM | ||
Two Bass Hit | Philly Joe Jones | D♭ Major | 6 | 3B | 128 BPM | ||
Epistrophy - Alternate Take | Thelonious Monk, John Coltrane | A♭ Major | 4 | 4B | 88 BPM | ||
Come Rain Or Come Shine - Remastered 1998 | Sonny Clark, John Coltrane | A Minor | 1 | 8A | 59 BPM |
Section: 0.5508337020874023
End: 0.5555751323699951