Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda's '12 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45: Variation VI' came out on January 1, 2006. With 12 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45: Variation VI being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 19 out of 46 in Beethoven: Complete Works for Cello and Piano by Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 12 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45: Variation VI is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of 12 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45: Variation VI by Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Trio n°3, Op. 1: I. Allegro con brio | Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel Dayez | C Minor | 0 | 5A | 165 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM |
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