Giovanni Gabrieli, E. Power Biggs made "Intonazioni d'Organo:: Ottavo Tono" available on 1960. With Intonazioni d'Organo:: Ottavo Tono being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 32 in the song's album "The Antiphonal Music of Gabrieli". In this album, this song's track order is #18. Intonazioni d'Organo:: Ottavo Tono is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Intonazioni d'Organo:: Ottavo Tono by Giovanni Gabrieli, E. Power Biggs having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Greiner, Zancker, Schnöpfitzer | Piffaro | D Major | 1 | 10B | 102 BPM | ||
Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | C Major | 2 | 8B | 138 BPM | ||
Se la face ay pale | Guillaume Dufay, Ciaramella | E♭ Major | 1 | 5B | 120 BPM | ||
Cancionero Musical de la Colombina: No. 48,, Dime triste coraçón | Francisco de la Torre, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 91 BPM | ||
Missa ex B: XXII. Sanctus - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM | ||
Mass in C Major, "Messe breve No. 7 aux chapelles": Kyrie | Charles Gounod, Patrick Herget, Axel Werntges, Hartmut Roth, Philipp Tetzlaff, Martin Schmeding, Jugendkantorei Hosel, Toralf Hildebrandt | D♭ Major | 2 | 3B | 97 BPM | ||
Echo fantasia in Dorian mode, SwWV 261 | Jan Pieterszoon Sweelinck, Joseph Kelemen | A♭ Minor | 0 | 1A | 71 BPM | ||
Herr, nun lässest du deinen Diener in Friede fahen, SWV 433 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 138 BPM | ||
Versicle/Response: Deus in adjutorium/Domine in adiuvandum | Claudio Monteverdi, Choir Of The Enlightenment, Eamonn Dougan, Robert Howarth, Orchestra of the Age of Enlightenment | E♭ Major | 1 | 5B | 82 BPM |
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