Yujiro Ishihara's '港町 涙町 別れ町' came out on June 25, 1989. The duration of 港町 涙町 別れ町 is about 3 minutes long, at 3:05. Based on our data, "港町 涙町 別れ町" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 16 in BEST & BEST 石原裕次郎全曲集 by Yujiro Ishihara. In terms of popularity, 港町 涙町 別れ町 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 港町 涙町 別れ町 by Yujiro Ishihara is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
白い一日 | Kei Ogura | F Minor | 1 | 4A | 175 BPM | ||
今日でお別れ | 敏いとうとハッピー&ブルー | D Minor | 5 | 7A | 125 BPM | ||
理由 | 中条きよし | D Minor | 5 | 7A | 96 BPM | ||
真夜中のギター | 高田みづえ | C Major | 2 | 8B | 112 BPM | ||
学生時代 | Peggy Hayama | G Minor | 5 | 6A | 112 BPM | ||
くちなしの花 | Ryotaro Sugi | A Minor | 3 | 8A | 96 BPM | ||
女のねがい | Shiro Miya | D♭ Major | 4 | 3B | 82 BPM | ||
五年目の手紙 | Alice | G Major | 3 | 9B | 96 BPM | ||
長崎は今日も雨だった | Kiyoshi Maekawa | B Major | 7 | 1B | 84 BPM | ||
一週間に十日来い | Midori Satsuki | B Major | 3 | 1B | 111 BPM |
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