Number Three On Flight Eleven - Steinski Information

Acousticness
92%
Danceability
53%
Energy
34%
Instrumentalness
82%
Liveness
17%
Loudness
71%
Speechiness
18%
Valence
13%
Popularity
Loudness
-17.503 dB

Summary

"Number Three On Flight Eleven" by Steinski was released on May 27, 2008. Since Number Three On Flight Eleven is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of What Does It All Mean? - 1983-2006 Retrospective by Steinski. The song's track number on the album is #14 out of 42 tracks. In terms of popularity, Number Three On Flight Eleven is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Number Three On Flight Eleven BPM

Since Number Three On Flight Eleven by Steinski has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Number Three On Flight Eleven being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.

Number Three On Flight Eleven Key

This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

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