Joseph Haydn, English Sinfonia, Sir Charles Groves's 'Symphony No. 92 "Oxford"' came out on May 26, 2015. Since Symphony No. 92 "Oxford" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in English Sinfonia, Sir Charles Groves's "Haydn: Oxford & London Symphonies; Mozart: Paris Symphony" album is number 1 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Symphony No. 92 "Oxford"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 92 "Oxford" by Joseph Haydn, English Sinfonia, Sir Charles Groves to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Waldmädchen: No. 19, Masur | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Violin Concerto in G Major, Op. 2 No. 1: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 124 BPM | ||
Bizet: L'Arlésienne, Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 81 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob. I:105: I. Allegro | Joseph Haydn, Marieke Blankestijn, Steven Isserlis, Douglas Boyd, Matthew Wilkie, Sir Roger Norrington | A Minor | 3 | 8A | 168 BPM | ||
Piano Trio No. 6 in E-Flat Major, Op. 93: II. Un poco larghetto | Johann Nepomuk Hummel, Gould Piano Trio | B Major | 0 | 1B | 79 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: III. Sousedská. Allegro giusto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | B♭ Major | 1 | 6B | 77 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, David Zinman | E Minor | 1 | 9A | 88 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XI. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 121 BPM |
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