Bessie Smith, Louis Armstrong's 'St. Louis Blues' came out on September 27, 1994. The duration of St. Louis Blues is about 3 minutes long, at 3:09. Based on our data, "St. Louis Blues" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 81 in the song's album "Portrait Of The Artist As A Young Man 1923-1934". In this album, this song's track order is #12. St. Louis Blues is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With St. Louis Blues by Bessie Smith, Louis Armstrong having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gimme A Pigfoot | Bessie Smith | G Minor | 2 | 6A | 52 BPM | ||
Nobody Knows You When You're Down and Out - 78rpm Version | Bessie Smith | E Major | 0 | 12B | 90 BPM | ||
In the Cool, Cool, Cool of the Evening (with Harry James & Harry James' Orchestra) | Rosemary Clooney, Harry James & Harry James' Orchestra | E♭ Major | 4 | 5B | 138 BPM | ||
Lost Your Head Blues | Bessie Smith | B♭ Minor | 3 | 3A | 68 BPM | ||
Gal From Joe's | Johnny Hodges, Billy Strayhorn | B♭ Minor | 3 | 3A | 140 BPM | ||
Dancing in the Moonlight | Rudy Vallee and His Connecticut Yankees | A♭ Major | 3 | 4B | 80 BPM | ||
I'm Nobody's Baby | Marion Harris | C Major | 3 | 8B | 163 BPM | ||
Blue Moon | Mel Tormé | F Major | 1 | 7B | 177 BPM | ||
Yes Indeed He Do! | Bessie Smith, Jimmy Harrison, Bob Fuller, Ernest Elliott, Porter Grainger | G Minor | 0 | 6A | 110 BPM | ||
Professor Bop | Babs Gonzales | C Minor | 2 | 5A | 99 BPM |
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