Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF's 'Ivan IV, WD 12, erster Akt: Arretez, arretez!' came out on December 8, 1961. Since Ivan IV, WD 12, erster Akt: Arretez, arretez! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 20 in Bizet: Ivan IV by Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF. Ivan IV, WD 12, erster Akt: Arretez, arretez! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ivan IV, WD 12, erster Akt: Arretez, arretez! by Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in E-Flat Major, "Sinfonie naive": II. Adagio — | Franz Berwald, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 0 | 10B | 80 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 122 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Symphony No. 3 in D Minor, Part II: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 120 BPM | ||
Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM | ||
Pulcinella Suite: III. Scherzino - Allegro - Andantino | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | C Major | 1 | 8B | 124 BPM | ||
Lyric Pieces, Op. 54 - Orch. by Edvard Grieg: III. Norwegian March: Allegretto marcato | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 0 | 10B | 77 BPM | ||
The Tale of Tsar Saltan Suite, Op. 57: The Tale of Tsar Saltan Suite, Op. 57: I. The Tsar's Farewell and Departure | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 2 | 9B | 98 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Norwegian Dances, Op. 35 (arr. H. Sitt): I. Allegro marcato | Edvard Grieg, Hans Sitt, Bergen Philharmonic Orchestra, Ole Kristian Ruud | C Major | 2 | 8B | 92 BPM |
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