- BPM
- 71
- Key
- A Minor
- Camelot
- 8A
Improvisation in the style of Bach - Gabriela Montero Information
- Acousticness
- 99%
- Danceability
- 30%
- Energy
- 3%
- Instrumentalness
- 90%
- Liveness
- 7%
- Loudness
- 54%
- Speechiness
- 4%
- Valence
- 15%
- Popularity
- 4%
- Loudness
- -27.789 dB
Summary
"Improvisation in the style of Bach" by Gabriela Montero was released on September 5, 2005. The duration of Improvisation in the style of Bach is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Improvisation in the style of Bach's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gabriela Montero's "Gabriela Montero: Piano Recital" album is number 9 out of 27. Improvisation in the style of Bach is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Improvisation in the style of Bach BPM
We consider the tempo marking of Improvisation in the style of Bach by Gabriela Montero to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Improvisation in the style of Bach Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | |
 | Piano Concerto No. 2 in F minor, Op. 21: III. Allegretto vivace | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 1 | 4A | 102 BPM | |
 | Malagueña | Ernesto Lecuona, Gabriela Montero | F♯ Major | 1 | 2B | 107 BPM | |
 | Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied" | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 131 BPM | |
 | Symphony No. 3 in F Major, Op. 90 (version for piano 4 hands): III. Un poco allegretto | Johannes Brahms, Christian Kohn, Silke-Thora Matthies | D Major | 0 | 10B | 115 BPM | |
 | 3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 1, Souvenance. Andantino | Cécile Chaminade, Eric Parkin | B Minor | 0 | 10A | 87 BPM | |
 | Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | |
 | Piano Concerto in G Major, M. 83: II. Adagio assai (Live) | Maurice Ravel, Gabriela Montero, The Orchestra of the Americas, Carlos Miguel Prieto | E Major | 0 | 12B | 74 BPM | |
 | Songs without Words, Op. 67, No. 3 in B-Flat Major: Andante tranquillo | Felix Mendelssohn, Philippe Cassard | B♭ Major | 0 | 6B | 89 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7200572490692139
End: 0.7257933616638184