"Surrexit a mortuis, Op. 23 No. 3" by Charles-Marie Widor, Joseph Cullen, James O'Donnell, Andrew Reid, Westminster Cathedral Choir was released on February 1, 1997. Surrexit a mortuis, Op. 23 No. 3 is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. This song is part of Vierne, Widor & Dupré: Choral Music by Westminster Cathedral Choir, Louis Vierne, James O'Donnell, Marcel Dupré, Charles-Marie Widor. The song's track number on the album is #19 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Surrexit a mortuis, Op. 23 No. 3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Surrexit a mortuis, Op. 23 No. 3 by Charles-Marie Widor, Joseph Cullen, James O'Donnell, Andrew Reid, Westminster Cathedral Choir has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Surrexit a mortuis, Op. 23 No. 3 being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for the Royal Fireworks: Suite HWV 351: IV. La Réjouissance | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 6 | 3B | 107 BPM | ||
Sonate No. 1: Final | Alexandre Guilmant, Olivier Latry | D Major | 3 | 10B | 59 BPM | ||
Prayer of Saint Gregory | Giuseppe Torelli, Ryan Anthony, Mary Preston | A Minor | 1 | 8A | 68 BPM | ||
Preludium Des-Dur Op. 28 Nr 15 | Frédéric Chopin, Gedymin Grubba | D♭ Major | 0 | 3B | 76 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Boellmann: Suite gothique: Menuet gothique | Conrad Zwicky | C Major | 1 | 8B | 112 BPM | ||
Three Pieces for Musical Clock: Menuett - Allegretto | Franz Joseph Haydn, William McVicker | G Minor | 0 | 6A | 74 BPM | ||
Orgelimprovisation über Psalm 139 | Elmar Lehnen | B♭ Major | 0 | 6B | 75 BPM | ||
Months for the Past | Paolo MIllon, Neon Lilith, Andrea Sullivan, Alan R Black | D♭ Major | 2 | 3B | 110 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM |
Section: 0.6522481441497803
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