"The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: To uz ne!" by Leoš Janáček, Vladimir Krejcik, Eva Zigmundova, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras was released on January 1, 1982. With this song being about 5 minutes long, at 4:59, "The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: To uz ne!" by Leoš Janáček, Vladimir Krejcik, Eva Zigmundova, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leoš Janáček, Lucia Popp, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras's "Janácek: The Cunning Little Vixen" album is number 6 out of 31. In terms of popularity, The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: To uz ne! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: To uz ne! by Leoš Janáček, Vladimir Krejcik, Eva Zigmundova, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio and Allegro, Op. 70 (version for cello and piano): Adagio | Franz Schubert, Maria Kliegel, Kristin Merscher | A♭ Major | 0 | 4B | 164 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Po zarostlém chodníčku - Series I: VIII. Tak neskonale úzko | Leoš Janáček, Gianluigi Daniele | D♭ Minor | 1 | 12A | 129 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Bach, JS: Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, David Fray | G Major | 0 | 9B | 76 BPM | ||
Nocturne No.18 In E, Op.62 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Minor | 0 | 12A | 73 BPM | ||
Douze valses, Le ruban dénoué: No. 1, Décrets indolents du hasard | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | F♯ Minor | 0 | 11A | 104 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Symphony No. 2 in C Major, Op. 61: III. Langsam | Robert Schumann, Piano Duo Takahashi | Lehmann | D Major | 7 | 10B | 129 BPM |
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