Pyotr Ilyich Tchaikovsky, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner's 'Polonaise, aus der Oper 'Eugen Onegin' Op.24' came out on December 31, 1985. With this song being about 5 minutes long, at 4:40, "Polonaise, aus der Oper 'Eugen Onegin' Op.24" by Pyotr Ilyich Tchaikovsky, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 15 in Barcarole - Beliebte Orchesterstücke by Sir Neville Marriner, Radio Sinfonieorchester Stuttgart, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart. In terms of popularity, Polonaise, aus der Oper 'Eugen Onegin' Op.24 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Polonaise, aus der Oper 'Eugen Onegin' Op.24 by Pyotr Ilyich Tchaikovsky, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | A♭ Major | 1 | 4B | 118 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 1 | 8A | 111 BPM | ||
Mozart / Arr. Grieg for Two Pianos: Piano Sonata No. 16 in C Major, K. 545 "Semplice": I. Allegro (Live) | Wolfgang Amadeus Mozart, Martha Argerich, Piotr Anderszewski | D Minor | 0 | 7A | 121 BPM | ||
Carnival of the Animals, R. 125: Finale | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | C Major | 3 | 8B | 99 BPM | ||
La Fille aux Cheveux de Lin, L. 33 | Claude Debussy, Martin Jones | F♯ Major | 0 | 2B | 110 BPM | ||
Carmen Suite No. 2: 2. Habanera | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Major | 0 | 10B | 134 BPM |
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