"Sonate Für Klarinette Und Klavier In B (1939): II. Lebhaft (Hindemith)" by Massimiliano Damerini & Michele Carulli was released on 1997. The duration of Sonate Für Klarinette Und Klavier In B (1939): II. Lebhaft (Hindemith) is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Sonate Für Klarinette Und Klavier In B (1939): II. Lebhaft (Hindemith)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Paul Hindemith: Sonatas For Winds & Piano, Vol. 1". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Sonate Für Klarinette Und Klavier In B (1939): II. Lebhaft (Hindemith) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonate Für Klarinette Und Klavier In B (1939): II. Lebhaft (Hindemith) by Massimiliano Damerini & Michele Carulli having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite, Op. 54: Andantino cantabile | Ladislav Aloys, Deutsches Horn Ensemble | G Major | 0 | 9B | 93 BPM | ||
Lucitano II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | C Major | 1 | 8B | 166 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Novelletten, H. 44: I. Andante moderato | Frank Bridge, Esmé Quartet | E Major | 5 | 12B | 72 BPM | ||
Suite from "Wuthering Heights" (Arr. for Soprano, Baritone, and Orchestra by Hans Sørensen), Act 4: XIX. Largo assai | Bernard Herrmann, Singapore Symphony Orchestra, Mario Venzago | A Major | 0 | 11B | 127 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: II. Menuett | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM | ||
Trombone Concerto No. 12, Op. 52: Allegro moderato - | Vagn Holmboe, Jesper Juul Sorensen, Danish National Symphony Orchestra, Henrik Vagn Christensen | E Minor | 1 | 9A | 76 BPM | ||
Violin Concerto: III. Electric | Christopher Alan Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | F Major | 2 | 7B | 129 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM |
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