Gaetano Donizetti, Andrea Bocelli, Zuzana Markova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych's 'Lucia di Lammermoor, Act I: Sulla tomba che rinserra' came out on September 8, 2023. The duration of Lucia di Lammermoor, Act I: Sulla tomba che rinserra is about 3 minutes long, at 3:06. Based on our data, "Lucia di Lammermoor, Act I: Sulla tomba che rinserra" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 39 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Zuzana Markova, Andrea Bocelli, Stefano Antonucci, Mariano Buccino, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Lucia di Lammermoor, Act I: Sulla tomba che rinserra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor, Act I: Sulla tomba che rinserra by Gaetano Donizetti, Andrea Bocelli, Zuzana Markova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale: Act II: Indietro, indietro | Gaetano Donizetti, Roberto Abbado | B♭ Major | 1 | 6B | 135 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Puccini: Tosca, Act 3 Scene 2: "E lucevan le stelle" (Cavaradossi) | Giacomo Puccini, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Tannhäuser, WWV 70 - Paris version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Helga Dernesch, Victor Braun, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 1 | 5B | 80 BPM | ||
Lucia di Lammermoor: Act III: Spargi d'amaro pianto | Gaetano Donizetti, Pretty Yende, Giacomo Sagripanti | E♭ Major | 2 | 5B | 121 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM |
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