"Mass for the Nativity of the Virgin: XI. Communion "Beata viscera Marie virginis"" by Plain-chant, Ensemble Organum, Marcel Pérès was released on 1995. The duration of Mass for the Nativity of the Virgin: XI. Communion "Beata viscera Marie virginis" is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Mass for the Nativity of the Virgin: XI. Communion "Beata viscera Marie virginis"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in École de Notre-Dame de Paris : Mass for the Nativity of the Virgin, so we believe that "Mass for the Nativity of the Virgin: XI. Communion "Beata viscera Marie virginis"" is a single. Based on our statistics, Mass for the Nativity of the Virgin: XI. Communion "Beata viscera Marie virginis"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass for the Nativity of the Virgin: XI. Communion "Beata viscera Marie virginis" by Plain-chant, Ensemble Organum, Marcel Pérès is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theotokion (Tone 8) | St. Symeon Orthodox Church Octet | F♯ Major | 2 | 2B | 66 BPM | ||
O Magnum Mysterium (Tomás Luis de Victoria) | Sexteto Cantábile | G Minor | 1 | 6A | 76 BPM | ||
Missa Brevis: Kyrie (feat. Giovanni Pierluigi da Palestrina) | The Schola Cantorum of St. John XXIII Parish, Giovanni Pierluigi da Palestrina | E Major | 1 | 12B | 90 BPM | ||
Magnificat | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | C Major | 1 | 8B | 70 BPM | ||
Плотию уснув | St. Peter St. Paul Cathedral Choir of Minsk | B♭ Major | 1 | 6B | 88 BPM | ||
La Messe: Alleluia "Assumpta est Maria" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E♭ Major | 1 | 5B | 130 BPM | ||
Poltiyu usnuv | Yoan Kukuzel (Angeloglassniyat) | A Major | 1 | 11B | 76 BPM | ||
Alma Redemptoris Mater | Lucien Deiss, CSSp | E♭ Major | 1 | 5B | 63 BPM | ||
Credo, JD12: Credo a 4, JD 12 | John Dunstable, Tonus Peregrinus, Antony Pitts | E♭ Minor | 2 | 2A | 68 BPM | ||
Ego Sum Panis Vivus (feat. Juan Esquivel) | The Schola Cantorum of St. John XXIII Parish, Juan Esquivel | E Minor | 3 | 9A | 79 BPM |
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