Leoš Janáček, Olena Kushpler's 'On the Overgrown Path / Book 1: No. 3, Come With Us!' came out on August 27, 2021. With On the Overgrown Path / Book 1: No. 3, Come With Us! being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leoš Janáček, Olena Kushpler's "Janáček: Piano Works" album is number 7 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, On the Overgrown Path / Book 1: No. 3, Come With Us! is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of On the Overgrown Path / Book 1: No. 3, Come With Us! by Leoš Janáček, Olena Kushpler to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theme and Variations, Op. 72: Var. 11. Allegretto | Alexander Glazunov, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Capriccio, Op. 76, No. 1 in F-Sharp Minor - Triphonola T-51531 | Johannes Brahms, Marie Gabrielle Leschetizky, Peter Phillips | G Major | 1 | 9B | 140 BPM | ||
Variations on a Theme of Corelli, Op. 42: Var. 14. Andante | Sergei Rachmaninoff, Howard Shelley | D♭ Major | 0 | 3B | 74 BPM | ||
24 Preludes, Op. 11: Prelude No. 15 in D-Flat Major - Lento | Alexander Scriabin, Anthony Hewitt | D♭ Minor | 0 | 12A | 70 BPM | ||
Notturno in G Minor, H-U 337 | Fanny Mendelssohn, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
18 German Dances and Ecossaises, Op. 33, D. 783, German Dances: No. 2 in D Major - No. 3 in B-Flat Major - No. 8 in E-Flat Major | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM | ||
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 9. Un poco andante | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Puppentänze: No. 3, Romanze | Dmitri Shostakovich, Anna Vinnitskaya | G Minor | 0 | 6A | 97 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 2, Wanderlied | Bedřich Smetana, Jitka Čechová | A Major | 1 | 11B | 146 BPM | ||
Partita Suite No. 1 for String Orchestra, H.212: III. Andante Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 100 BPM |
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