"Petite Suite: iii. Mazurka" by Alexander Borodin, Philharmonia Orchestra, Geoffrey Simon was released on 2000. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 14 in Borodin: Requiem, Polovtsian Dances, In the Steppes of Central Asia, Nocturne, Petite Suite by Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Stephanie Chase, Margaret Field, Geoffrey Simon. In terms of popularity, Petite Suite: iii. Mazurka is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Petite Suite: iii. Mazurka by Alexander Borodin, Philharmonia Orchestra, Geoffrey Simon is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 7. Kolo. Allegro vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 4 | 9B | 146 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Overture Orpheus in the Underworld | Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner | D Major | 1 | 10B | 76 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 2 - The Goaler's rooms in New Orleans | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A♭ Major | 0 | 4B | 80 BPM | ||
Rachmaninov - String Quartet No.1: Romance | Sergei Rachmaninoff, Borodin Quartet | B♭ Major | 1 | 6B | 108 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: III. Allegro non troppo | Camille Saint-Saëns, Mstislav Rostropovich, Sir Malcolm Sargent, Philharmonia Orchestra | A Minor | 1 | 8A | 83 BPM |
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