On May 7, 2009, the song "Concerto a cinque No. 11, Op. 9: I. Allegro" was released by Tomaso Albinoni, Paul Dombrecht, Il Fondamento. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 22 out of 24 in Albinoni: Concerti con Oboe by Tomaso Albinoni, Paul Dombrecht, Il Fondamento. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Concerto a cinque No. 11, Op. 9: I. Allegro is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Concerto a cinque No. 11, Op. 9: I. Allegro by Tomaso Albinoni, Paul Dombrecht, Il Fondamento is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Concerto in G Minor: I. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 94 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Concerto For Harp In B-Flat Major: I. Andante Allegro | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 1 | 11B | 94 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Concerto for Two Oboes in C Major, Op. 7 No. 11: I. Allegro | Tomaso Albinoni, Collegium Musicum 90, Simon Standage, Anthony Robson, Catherine Latham | E Major | 3 | 12B | 104 BPM | ||
Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 3. Allegro | Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti | D Minor | 4 | 7A | 106 BPM |
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