Joseph Lanner, Wiener Philharmoniker, John Eliot Gardiner's 'Die Schönbrunner, Op.200: Waltz' came out on January 1, 1999. Since Die Schönbrunner, Op.200: Waltz is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wiener Soirée by Wiener Philharmoniker, John Eliot Gardiner. The song's track number on the album is #4 out of 9 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Die Schönbrunner, Op.200: Waltz is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Die Schönbrunner, Op.200: Waltz by Joseph Lanner, Wiener Philharmoniker, John Eliot Gardiner has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Schönbrunner, Op.200: Waltz being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moment Musical No. 3 in F Minor, Op. 94: II. Allegro moderato | Slovak Philharmonic, Bohdan Warchal | F♯ Minor | 1 | 11A | 101 BPM | ||
Leopoldstädter Ländler, Op. 35 | Biedermeier Ensemble Wien, Joseph Lanner | B♭ Major | 1 | 6B | 70 BPM | ||
Terpsichore, Op. 37 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 84 BPM | ||
Etudes: IX. Piqués et grands pirouettes | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 79 BPM | ||
小序曲 (「くるみ割り人形」より) | Václav Neumann, Czech Philharmonic Chamber Orchestra | G Major | 2 | 9B | 75 BPM | ||
Der Karneval der Tiere, R. 125: XIII. Die Fossilien | Camille Saint-Saëns, Berlin Radio Symphony Orchestra, Ferhan & Ferzan Önder, Johannes Zurl | E♭ Major | 3 | 5B | 112 BPM | ||
Lanner : Steyrische Tänze Op.165 | Joseph Lanner, Nikolaus Harnoncourt, Wiener Philharmoniker | A Major | 0 | 11B | 134 BPM | ||
世界名曲:藍色多瑙河 | 蔡榮吉, 李淑雲, 吳爾笠 | D Major | 2 | 10B | 179 BPM | ||
Grand pas classique: Female Variation | Daniel Auber, Charles Mathews | F Major | 2 | 7B | 112 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes (Marching off) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM |
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