"Requiem: Introit - Kyrie" by Elinor Remick Warren, Marina Sandel, Polskiego Radia i Telewizji, Chóru Polskiego Radia i Telewizji, Szymon Kawalla was released on January 13, 2015. Since Requiem: Introit - Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Elinor Remick Warren: Requiem by Elinor Remick Warren, Chóru Polskiego Radia i Telewizji, Szymon Kawalla. Requiem: Introit - Kyrie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: Introit - Kyrie by Elinor Remick Warren, Marina Sandel, Polskiego Radia i Telewizji, Chóru Polskiego Radia i Telewizji, Szymon Kawalla is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Thema und Variationen concertante B-dur op.33 (Arie der Mechthilde aus SILVANA J 87 · Romatische Oper in 3 Akten) bearbeitet für Klarinette und Orchester: - Thema | Carl Maria von Weber, Sabine Meyer, Franz Welser-Moest, Franz Welser-Möst, Orchester der Oper Zürich | B♭ Major | 0 | 6B | 71 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian" (1834 version): II. Andante con moto | Felix Mendelssohn, Jordi Savall, Le Concert Des Nations | D Major | 0 | 10B | 91 BPM | ||
Impressions | Christian Desire Langlade, Saint-Preux | B♭ Major | 2 | 6B | 115 BPM | ||
Symphonie Concertante in F Major, Op. 10 No. 1: II. Allegro | Joseph Bologne, Chevalier de Saint-Georges, Yury Revich, Libor Ježek, Pavla Honsová, Czech Philharmonic Chamber Orchestra, Michael Halasz | C Major | 1 | 8B | 118 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Overture | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Piano Concerto No.23 in A - K488 (Adagio) | Peter Samuels | F♯ Minor | 1 | 11A | 96 BPM | ||
41 Klavierstücke, Op. 93: No. 22 Andante | The Gerst Ensemble | D Major | 0 | 10B | 77 BPM | ||
Clarinet Concerto No. 3 | Carl Stamitz, Chris Swann, Ian Buckle | B♭ Major | 1 | 6B | 123 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
Suite for Orchestra: iii. Scherzino: Ballet of the Midsummer Sky (Allegretto) | Elinor Remick Warren, Royal Scottish National Orchestra | E Major | 1 | 12B | 101 BPM |
Section: 0.7478339672088623
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