"La Didone - Arranged by Raimond Leppard / Act 1: Lamento di Cassandra: L'alma fiacca svanì" by Francesco Cavalli, Teresa Berganza, Ricardo Requejo was released on January 1, 2005. La Didone - Arranged by Raimond Leppard / Act 1: Lamento di Cassandra: L'alma fiacca svanì is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The song is number 1 out of 105 in Brava Berganza by Teresa Berganza. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of La Didone - Arranged by Raimond Leppard / Act 1: Lamento di Cassandra: L'alma fiacca svanì is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Didone - Arranged by Raimond Leppard / Act 1: Lamento di Cassandra: L'alma fiacca svanì by Francesco Cavalli, Teresa Berganza, Ricardo Requejo is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folias echa para mi Señora Doña Tarolilla de Carallenos | Andrea Falconieri, London Baroque | B Major | 3 | 1B | 78 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Concerto in F Major, Op. 6 No. 6: I. Adagio | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | G Minor | 1 | 6A | 32 BPM | ||
Il novello Giasone, Act I: Linguaggio curioso (Live) | Francesco Cavalli, Antonio Greco, Krystian Adam, OIDI Festival Baroque Ensemble, Luca Tittoto | D♭ Major | 2 | 3B | 162 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Madrigali, Book 1: No. 18, Sonata à 31 | Francesco Turini, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
Strozzi: Arie, Op. 8 No. 6: "Che si può fare" | Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro | C Major | 1 | 8B | 73 BPM |
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