- BPM
- 142
- Key
- E♭ Major
- Camelot
- 5B
The Warriors - Music to an imaginary ballet for orchestra and three pianos (1916) - Percy Grainger, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Stephen Frost Information
- Acousticness
- 96%
- Danceability
- 21%
- Energy
- 23%
- Instrumentalness
- 88%
- Liveness
- 6%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -16.791 dB
Summary
"The Warriors - Music to an imaginary ballet for orchestra and three pianos (1916)" by Percy Grainger, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Stephen Frost was released on May 1, 1997. The Warriors - Music to an imaginary ballet for orchestra and three pianos (1916) appears to be safe for all ages as it is not explicit. The track order of this song in Percy Grainger, Sir Simon Rattle, City Of Birmingham Symphony Orchestra's "Grainger - In a Nutshell" album is number 15 out of 15. Based on our statistics, The Warriors - Music to an imaginary ballet for orchestra and three pianos (1916)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Warriors - Music to an imaginary ballet for orchestra and three pianos (1916) BPM
We consider the tempo marking of The Warriors - Music to an imaginary ballet for orchestra and three pianos (1916) by Percy Grainger, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Stephen Frost to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The Warriors - Music to an imaginary ballet for orchestra and three pianos (1916) Key
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | English Dances, Set 2, Op. 33: No. 2. Con brio | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | C Major | 4 | 8B | 142 BPM | |
 | Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | |
 | Solo de concours | André Messager, Martin Fröst, Roland Pöntinen | F Minor | 1 | 4A | 66 BPM | |
 | Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | |
 | Fanfare from La Peri | Paul Dukas, New York Philharmonic, Pierre Boulez | F Minor | 2 | 4A | 95 BPM | |
 | March From Things To Come | Arthur Bliss, Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM | |
 | Symphony No. 4: Measures 406-569 - | David Maslanka, Dallas Wind Symphony, Jerry Junkin | G Major | 1 | 9B | 83 BPM | |
 | Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | |
 | The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | |
 | Variations on a Korean Folk Song: II. Vivace | John Barnes Chance, Illinois State University Wind Symphony, Stephen Steele | D♭ Major | 1 | 3B | 112 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8057024478912354
End: 0.8104877471923828