"Aurae lenes quae prata Fovetis: III. Aria" by Antonio Lotti, Alex Potter, La Festa Musicale was released on June 2, 2023. With this song being about 5 minutes long, at 5:27, "Aurae lenes quae prata Fovetis: III. Aria" by Antonio Lotti, Alex Potter, La Festa Musicale is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 30 in ANTONIO: Lotti - Caldara - Vivaldi by Alex Potter, La Festa Musicale. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Aurae lenes quae prata Fovetis: III. Aria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aurae lenes quae prata Fovetis: III. Aria by Antonio Lotti, Alex Potter, La Festa Musicale is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Otche nash (Our Father) | Nikolay Kedrov, Slavyanka Men's Chorus, Paul Andrews | B♭ Major | 0 | 6B | 138 BPM | ||
Laudate pueri: Qui habitare facit (Sopranos) | Antonio Lotti, Barbara Christina Steude, Annekathrin Laabs, Tobias Berndt, Batzdorfer Hofkapelle, Matthias Jung | G Major | 0 | 9B | 68 BPM | ||
You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
Introitus: Gaudeamus omnes in domino | Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard | E Major | 1 | 12B | 73 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM | ||
Laudate pueri: Excelsus super omnes (Soprano I) | Antonio Lotti, Barbara Christina Steude, Annekathrin Laabs, Tobias Berndt, Batzdorfer Hofkapelle, Matthias Jung | F♯ Minor | 1 | 11A | 123 BPM | ||
Crucifixus (Arr. for String Orchestra by Donald Fraser) | Donald Fraser, Antonio Lotti, English Symphony Orchestra | C Minor | 2 | 5A | 96 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM |
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