"Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VI. Andante" by Pyotr Ilyich Tchaikovsky, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra was released on January 15, 2010. The duration of Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VI. Andante is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VI. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Tchaikovsky: Rococo Variations - Prokofiev: Sinfonia Concertante". In this album, this song's track order is #7. Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VI. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VI. Andante by Pyotr Ilyich Tchaikovsky, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Don Quixote: Act IV: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 106 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM |
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